Prima Facie

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Herbert Howells Music for Clavichord (PFCD065/66) £15.00

Performed on clavichord by Julian Perkins

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Prima Facie Records is pleased to announce the release of 'Herbert Howells Music for Clavichord' (PFCD065/66) performed on clavichord by Julian Perkins. The two CDs contain all Howells’s published music for clavichord: Lambert’s Clavichord Op. 41 (HH 165) and Howells’ Clavichord (HH 237) Books I and II.

This is the first complete recording on clavichord of this music. Lambert's Clavichord and a selection of eight pieces from Howells’ Clavichord were recorded on clavichord by Ruth Dyson (1917-1997) and released on an LP in 1981. This new recording is dedicated to her memory in her centenary year.

Writing about the music of Lambert’s Clavichord in 1928, Sir Richard Terry observed: “Mr Howells has absorbed all the wealth and variety of Tudor rhythms, but keeps his own individuality intact. His music is modern inasmuch as he uses chords and progressions unknown in Tudor times, but the spirit of the old composers is there all the while. In other words, he and his instruments are one.”

Lambert’s Clavichord Op. 41 (HH 165):
‘Lambert’s Fireside’
‘Fellowes’ Delight’
‘Hughes’ Ballet’
‘Wortham’s Grounde’
‘Sargent’s Fantastic Sprite’
‘Foss’s Dump’
‘My Lord Sandwich’s Dreame’
‘Samuel’s Air’
‘De la Mare’s Pavane’
‘Sir Hugh’s Galliard’
‘H.H. His Fancy’
‘Sir Richard’s Toye’

Howells’ Clavichord Book I (HH 237):
‘Goff’s Fireside’(for Thomas Goff)
‘Patrick’s Siciliano’ (for Patrck Hadley)
‘Jacob’s Brawl’ (for Gordon Jacob)
‘Dart’s Saraband’ (for Thurston Dart)
‘Arnold’s Antic’ (for Malcolm Arnold)
‘Andrews ’Air’ (for H.K. Andrews)
‘Boult’s Brangill’ (for Sir Adrian Boult)
‘Rubbra’s Soliloquy’ (for Edmund Rubbra)
‘Newman’s Flight’ (for Max Newman F.R.S.)
‘Dyson’s Delight’ (for Sir George Dyson)

Howells’ Clavichord Book II:
'E. B.’s Fanfarando’ (for Sir Ernest Bullock)
'Ralph’s Pavane’ (for Ralph Vaughan Williams)
'Ralph’s Galliard’ (for Ralph Vaughan Williams)
'Finzi’s Rest’ (for Gerald on the morrow of 26th September, 1956)
‘Berkeley’s Hunt’ (for Lennox Berkeley)
‘Malcolm’s Vision’ (for George Malcolm)
‘Bliss’s Ballet’ (for Sir Arthur Bliss)
‘Julian’s Dream’ (for Julian Bream)
‘Jacques’s Mask’ (for Reginald Jacques)
‘Walton’s Toye’ (for Sir William Walton)

Herbert Howells

A favourite pupil of Sir Charles Villiers Stanford, Herbert Howells (1892-1983) studied at the Royal College of Music in London. The compositions of his early maturity received much critical acclaim, but a hostile reception of his second piano in 1925 led to a period of uncertainty and relative compositional inactivity. The composing of Lambert’s Clavichord in 1926/27 proved to be a restorative influence. After WW1, with the exception of the symphony and opera, he continued to compose in most musical forms, contributing especially significantly to church music. In 1979 he retired from the teaching staff of the Royal College of Music in London after fifty-nine years. He was also in constant demand as a highly discerning and constructive adjudicator.

Julian Perkins

Julian Perkins
Described as ‘exuberantly stylish’ by the Sunday Times, Julian Perkins enjoys a demanding career as a keyboard player and conductor. He is the Artistic Director of Cambridge Handel Opera and Founder Director of Sounds Baroque. His acclaimed discography includes J. S. Bach’s French Suites on clavichord and the world première of Stephen Dodgson’s clavichord suites. Julian read music at King’s College, Cambridge, before pursuing advanced studies at the Schola Cantorum, Basle and the Royal Academy of Music, London.